The Common Language of Design: From the History of Clothing to the Evolution of Contemporary Space
Naila Huseynova1* , Sevinj Hasanova2
Abstract. The article examines the points of intersection between fashion and interior design as two inseparable poles of design philosophy, analyzing their historical evolution and contemporary synthesis. Clothing is presented as the human being’s “first skin,” while architecture and interior space are conceptualized as a “second skin” that envelops the body. Throughout the historical chronology from the Baroque period to Modernism, parallels between garment silhouettes and spatial structures are identified, revealing how aesthetic codes and forms are repeated and mutually influence one another.
The innovative aspect of the research is reflected in the transfer of tailoring techniques – such as cutting, draping, and layering – into contemporary architectural constructions and interior elements. In particular, the concept of “textile tectonics” highlights the structural potential of soft materials and their influence on the ergonomics of interior spaces. The article also evaluates ecological innovations, including the integration of recycled textile materials and bio-design elements into interior environments, as key trends in the future of design. Ultimately, it emphasizes that the unification of fashion design and spatial design within a single aesthetic language enables the formation of an adaptive and intelligent ecosystem that supports human lifestyles.
Keywords: textile tectonics, design symbiosis, fashion and architecture, spatial evolution, eco‑innovative design, structural aesthetics